‘Furiosa: A Mad Max Saga’ review: Anya Taylor-Joy tastes hot asphalt and cold, cold revenge
The fifth "Mad Max" movie is the most grim of filmmaker George Miller's ongoing nightmare of a fairy tale. But it's alive.
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Review: ‘Gasoline Rainbow’ is a memorable teenage road trip along an improvised Oregon trail
In "Gasoline Rainbow," now at the Music Box, five teenagers embark on the journey, and challenge, of their young lives.
10 movies for summer 2024: Sequels and reboots, but fingers crossed for a surprise
The smart money's on "Deadpool & Wolverine" to make the moolah this summer. Here's hoping for some unexpected hits as well.
Column: Why the stink of that bad, bad iPad ad won’t go away
Apple’s “Crush" commercial has people infuriated by its destruction of analog creative tools. But the same company's forays into A.I. are more sinister still.
‘IF’ review: Ryan Reynolds and loads of sugar can’t help this medicine go down
Writer-director John Krasinski knows how to balance thrills and miles and miles and miles of heart.
‘Slow’ review: He’s asexual. She’s not. The movie explores what happens next.
This Lithuanian film sometimes strays toward conventional romcoms — the scenes about communication are its best moments.
Column: About that ‘SNL’ student protest sketch — and a lousy time for political satire
Chicago comedy expert Anne Libera says that satire "is not a useful tool today." That's why last weekend's "SNL" opener came up empty.
Column: An ode to failure: Some classic movies were flops when they first came out
Money isn't everything with great movies that struggle to find an audience, writes Tribune critic Michael Phillips. It is, in fact, nothing.
Column: AI moviemaking software ‘so easy an alien could do it.’ But where do visual effects go from here?
Wonder Dynamics is selling a special-effects tool to budding filmmakers at a low price. Are movies better for it?
‘The Beast’ review: In 2044, AI takes care of business, while Léa Seydoux takes care of the movie
Léa Seydoux and George MacKay play yearning, reincarnated lovers across three eras. MacKay is good; Seydoux excels.